A highly detailed realistic 1970s film noir portrait of a woman, exact facial features, bone structure, skin tone, and expression 100% matching the attached reference photo, fair smooth skin, long hair styled slightly messy and swept to the side, wearing black rectangular sunglasses, subtle glossy lip tint, neutral confident expression with slight pout, looking slightly to the side, leaning casually against a wall.
SHe is wearing a loose black long-sleeve crew-neck shirt, no accessories visible.
Photography style: classic 1970s film noir photography, shot on black and white 35mm film (Kodak Tri-X 400 or Ilford HP5), heavy visible film grain, high contrast with deep blacks and stark whites, sharp shadows, dramatic chiaroscuro lighting, authentic analog imperfections like subtle scratches and dust, high-resolution scan, captured with a vintage SLR camera and 85mm lens at f/1.4 for shallow depth of field and soft glowing bokeh.
Camera shot: medium close-up from chest up, slightly low angle, three-quarter view of face, off-center composition leaning to the left.
Lighting: extreme low-key 1970s noir lighting with a single harsh overhead spot light from the top-right (simulating bare bulb or venetian blind shadows), strong rim lighting highlights on the face, hair, and sunglasses, deep inky shadows engulfing the left side and background, very high contrast, subtle volumetric smoke haze and god rays.
Background: dimly lit indoor wall covered with overlapping aged newspapers in Chinese/Japanese text, vintage 1970s yellowed papers with faded headlines, photos, and articles, textured layers, heavily blurred in deep shadow due to shallow depth of field.
Overall mood: mysterious, brooding, edgy, classic 1970s urban film noir, introspective, gritty Hong Kong/Japanese underworld vibe, reminiscent of hard-boiled detective aesthetic.
--ar 3:4 --v 6 --q 2 --stylize 500
Negative prompt: color photo, low contrast, even lighting, soft shadows, modern digital ...
