A calm and restrained Huizhou-style architectural landscape, vertical 9:16 composition. Traditional Jiangnan Huizhou village, white horse-head walls and layered black-grey tile roofs, eaves slightly upturned, tiles in grey-black, moist, low-reflectance texture. Buildings arranged in staggered layers, forming rich depth and geometric rhythm. Foreground has a few branches of pale pink plum or early spring blossoms entering from the bottom and left side, flowers small, restrained, natural, not overly bright. Distant layers of blue-grey mountains shrouded in thin mist, mountain shapes gradually fading into pale grey sky. Overall color palette: cool grey-blue, white walls, grey-black tiles, pale pink flower branches, soft overcast diffused light, humid and quiet air, with early spring morning mist in Jiangnan. No people, no text, no watermark, no logo, no modern elements. High-end architectural photography feel, realistic yet with the negative space and poetry of Chinese ink painting, quiet, restrained, oriental, cool-toned, minimalist, emphasizing the visual mood that 'the blue of the tiles is actually grey-black'.
