A high-finished oblique planar perspective typographic poster, with the main text as the core visual, placed on tilted 2D planes, using perspective compression, angle cuts, offset composition, vector lines, semi-transparent geometric shapes, and modular color blocks. The text is not flat on the front but appears to be on different angled planes, creating a sense of direction, spatial tension, and vector relationships. The style is modern, sharp, bright, high-contrast, experimental, and editorial. Use a bold color scheme of 2 main colors + 1-2 accent colors + white space, such as fluorescent green + magenta + cold white, or bright yellow + violet + black, or lime green + deep purple + cyan blue, or rose red + turquoise + silver white, or cherry red + lake blue + pure white, or mint green + bright red + deep blue, or fluorescent yellow + hot pink + purple, or coral orange + cyan blue + white, or multi-color digital palette. Avoid default blue-orange combinations. Text colors should be high-saturation, not all black. Include a short subtitle or concept phrase. Use geometric elements like oblique rectangles, triangular cuts, dot systems, arrows, path lines, fine grid lines, perspective borders, direction vectors, dot matrix modules, data-like short lines, color block patches, semi-transparent geometric slices, partial ring lines, zone labels, and small index info. Avoid 3D extrusion, heavy shadows, realistic modeling, metal or glass effects, and retro or dark tones. The composition should be bold, tilted, with forward momentum and directional sense, but controlled with enough white space. The text should remain highly readable and recognizable. Use modern sans-serif fonts for Chinese (geometric, narrow, or faceted) and bold grotesk, condensed sans, geometric sans, or editorial sans for English. The overall result should be a high-finished, modern, bright, high-contrast, flat, sharp, experimental, and visually memorable typographic poster. --ar 3:4 --v7 --style raw
